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This piece is in three separate chunks, A, B and C. Learn each one separately before you add the body percussion over the top.
- A is good for getting the mouth working: aim for lots of ‘K’ on ‘Ka-re-oh’ and really bright, in-tune vowel sounds.
- B is good for loosening the voice with its wide leaps. Have fun and let the voice slide up to the top note.
- C is good for using the support muscles. Aim for a heavy, well-supported sound on each separate quaver.
Now add the suggested body percussion over the top.
Try then to perform all chunks in sequence, then repeat it.
Try it as a three-part round, with different groups entering every four bars.
If you’re feeling really adventurous, you could try it with different groups coming in after every bar.
Invent your own body percussion for the different beats of the bar.
You could vary the starting pitch to warm up the full voice range (particularly in sections A & C)
Or, use this idea as a template and invent your own language to warm up with. Just have fun and be creative!
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Miss Hurtado Report this comment
Posted 12th Feb 2011 04:54
Wow really good fun to teach!
Mrs. Sigmund Report this comment
Posted 10th Nov 2010 05:08
It's wonderful to have a warm-up in minor tonality. Can't wait to start using it with my students!